In turning 40 on Yom Kippur, a week after the 30th anniversary of her mother’s death, writer and musician Solvej Schou reflects on grieving endings and celebrating new beginnings—and freeing herself to own her life.
In her acclaimed debut novel, CATALINA, Liska Jacobs takes us into the tortured mind of Elsa Fisher as she retreats to Los Angeles, jobless after an intense affair in the heart of Manhattan’s art world. A journey of drinking, destruction and discovery follows as Elsa unravels in a seeming paradise: Catalina Island. An excerpt from the perfect beach (or island) read for hot summer days and nights, and a revealing Q&A between AFLW’s Jian Huang and the author on the evergreen question of New York vs. L.A. and, as a native Angeleno, how the character of Los Angeles as place influences her writing.
In Jessica Shoemaker’s “Mia Is Going to Mars,” Mia has survivor’s guilt. She wants to make good. But what’s lined up against her stands firm.
In “Panels,” inspired by small oil portraits on wood, Jonathan Blum sketches glimpses of people from diverse backgrounds, capturing the essence of lives lived.
In THE LAST TO SEE ME, M. Dressler blurs the boundaries between the living and the dead, showing us that otherness is a matter of not seeing and not knowing how to communicate, and that evil resides not either in the world of ghosts or men, but in one’s own heart. An excerpt and fascinating conversation between AFLW fiction editor Shilpa Agarwal and the author, on the heels of her winning this year’s $10,000 Book Pipeline Award book-to-film project for the novel.
In her new memoir, CUZ: The Life and Times of Michael A., Danielle Allen, a distinguished classicist and political scientist, director of the Edmond J. Safra Center for Ethics at Harvard University and Washington Post Opinion columnist, writes with sensitivity and candor about the tragic death of her younger, African-American cousin Michael after his release from a prison sentence that began when he was just 15 years old, and the pressing need for reform of mass incarceration in the United States.
Deanne Stillman’s latest, acclaimed book, “Blood Brothers: The Story of the Strange Friendship between Sitting Bull and Buffalo Bill,” gives an unexpected view into white America’s troubled relationship with its native population. Learn more about this fascinating story, with lessons from the past that impact current issues, in an excerpt and Q&A with the author.
An achingly honest account of one woman’s quest to reconnect with her body post-divorce explores the ways in which relationships mentally and physically shape us.
Working long hours in an upscale Beverly Hills restaurant, a single, white mother in her 50s and a young Latino cook form an unlikely friendship to protect their jobs, never realizing how essential their bond is until one of them faces an unimaginable tragedy.
In “The Art of Misdiagnosis,” Gayle Brandeis probes the mysteries surrounding her mother’s suicide, artfully weaving letters, research and documentary transcripts throughout the narrative. An excerpt and Q&A between the author and AFLW creative nonfiction editor, Marnie Goodfriend, on letters never sent, truth seeking, and loving our parents, flaws and all.
In his new, bestselling book, “More Beautiful Than Before,” Rabbi Steve Leder offers wisdom gleaned from his years in service to others, and from moving through his own pain. For the holidays, he shares ways to cope, survive and, even, thrive.
They met online on Skype and then in person in Chile. Their connection continued in cyberspace. A tribute to a love outside of time.
“It’s a very L.A. story, surely, but you needs must own that it’s the sort of thing that could happen anywhere, to anyone.” New, fanciful fiction, a love story, by THE BLACK WATCH indie rock band founder and author John Andrew Fredrick.
Sgt. Hector Gallegos of the LAPD reads his cheap, plastic Bible backward. This is a secret, as is the holy book’s presence in his patrol car, a tool – like his gun – to combat evil. When tragedy visits his home, he understands it’s not just faith, but something more that wields the power to protect his family. New fiction set in the City of Angels.
“I said nothing while I watched life transform from several feet away. I wasn’t observing from above in a surgical theater, nor was I a terrified loved one on the other side of the solid door.” A deeply moving excerpt from Elizabeth L. Silver’s acclaimed, new memoir of medical uncertainty.
“I am still in awe of the wonders and magic of modern medicine, but I am now much more aware of its frailties.” Elizabeth L. Silver, author of THE TINCTURE OF TIME, in an emotive Q&A.
“Not yet men and women and no longer boys and girls, they may have believed in fairy tales still but wouldn’t dare confess. That summer, after the black-bristled gypsy moth caterpillars hatched, Avalon’s youth surrendered the woods reluctantly. What more was there to fear?” A beautiful yet foreboding prelude excerpt from Julia Fierro’s heralded coming-of-age novel.
Julia Fierro on how her new novel, THE GYPSY MOTH SUMMER, is an “anti-revenge revenge story” and more.
“My father loved thin women and thick steaks.” A poignant and funny excerpt from Annabelle Gurwitch’s brilliant new memoir on family, with her larger-than-life dad playing the lead.
On a precarious journey down a twisting mountain road, a singer-songwriter finds herself on a crash-course with her heart. Her husband awaits at the bottom, but the loops and turns of her life are pointing her elsewhere, a burning for change, a fiery want, a flame.
In THE EDUCATION OF MARGOT SANCHEZ, by Lilliam Rivera, a Puerto Rican-American family does everything it can to maintain a veneer of perfection for their teenage daughter, Margot. But when she’s caught stealing money, she winds up working in her father’s South Bronx grocery store, and that’s where her education truly begins. A riveting excerpt and Q&A with the author.
In CAKE TIME, Siel Ju’s protagonist has no illusions about family or perfection. She’s left that all behind long ago. A compelling excerpt and Q&A with AFLW Fiction Editor Shilpa Agarwal.