‘The biggest challenge we are living now—during the worst pandemic in 100 years—is to stretch the collective imaginations to the creative means needed to overcome the current economic and political crisis,’ writes former Los Angeles Poet Laureate Luis J. Rodriquez in his Letter to L.A.
With a nod to magical realism, Tess Sullivan beckons us to join her on a provocative, imaginative journey. From her crowded street in Hollywood she walks to a steep set of stairs, where she looks up at a world of hillside mansions, wondering what those above think of the dwellers below facing Covid-19 hardships.
Mei Mei Sun’s lyrical essay explodes in a torrent of feelings about the beauty, fragility and brutality of love. New to L.A., she’s uncertain about her love for this city until she realizes the Pacific Ocean connects her upbringing in Shenyang, China, to this place she is still getting to know. And yet. Love may be very close to home.
As he honors the legacy of Martin Luther King Jr., L.A.-native Mark Eckhardt details how he has been a target of racist incidents in his own neighborhood since the election of President Trump, and encourages all of us to find the courage to confront the resurgence of bigotry, to live according to the dreams of Dr. King.
When newlywed David Feinberg’s Tarzana townhouse burned down, he and his wife moved in with her parents. Life with his in-laws forced him to rethink his definition of adulthood while adjusting to awkwardness of sex in his wife’s childhood room, and a rigid set of house rules.
David Lynch’s premiere of Twin Peaks at the Ace Hotel provides the setting for a wry, observant glimpse into the superficial, glitzy aspects of Los Angeles. That is until a chance encounter downtown at Clifton’s flings frivolity to the wind as life’s fragility zooms into sharp focus.
East-Coast transplant and writer Marnie Goodfriend has an “it’s complicated” relationship with L.A.’s elusive passage of time, and considers the notion of idleness as a luxury item.
THIS IS (NOT) L.A. by Jen Bilik is a love letter to Los Angeles, and an essential reality check and debunker of false myths about the city. An excerpt of the most L.A. and un-L.A. guide, including a foreword by the late Jonathan Gold.
In DTLA/37, authors Yennie Cheung and Kathryn E. McGee consider the “human temperature” of the ever-changing landscape of Downtown Los Angeles. From larger-than-life murals to burlesque to a historic hotel, these 37 stories along with full-color photographs capture the unique character of a place in which the City of Angels was born.
An achingly honest account of one woman’s quest to reconnect with her body post-divorce explores the ways in which relationships mentally and physically shape us.
“It’s a very L.A. story, surely, but you needs must own that it’s the sort of thing that could happen anywhere, to anyone.” New, fanciful fiction, a love story, by THE BLACK WATCH indie rock band founder and author John Andrew Fredrick.
Inside the dreamscape of the Hollywood sign, a love story unfolds, but as in all fairy tales, a villainess appears, and the stars begin to fall.
“Use the literature of Los Angeles as a guide. Read about Acosta’s cockroach people, Babitz’s sex and rage, Banham’s ecologies, Beatty’s white boy shuffle, Boyle’s tortilla curtain, Braverman’s frantic transmissions, Bukowski’s post office, Butler’s speech sounds and Brinig’s flutter of an eyelid.”
“I grieve for Los Angeles
Left behind me.
I grieve for Obama’s America
Soon to be gone.”
“Someday, I’ll return to the land of hiking and green juice, but until then it will remain the ex-lover I left because of bad timing.”
“Dear Los Angeles: You are not perfect. But I love you. I’m, like, super-into-you.” A Valentine’s Day love letter to L.A. from our debut “love/hate” issue by comedian, author and Brooklyn transplant Sara Benincasa.