“She had deftly used the rearview mirror since her early days of driving and rarely wasted time at home on makeup. Efficiency was of the utmost importance to her … a borderline obsession.”
“My dad wanted me to be more ‘American,’ so they only spoke to me in English. But I didn’t mind because I hated the sound of the Spanish that I’d hear at home. It was the weapon Dad used against Mom.”
In Rachel Sona Reed’s meditation on history and loss, a neighborhood’s wartime homes are stripped to their bones.
Every woman knows the memories and meaning that a dress can carry. Saryn Chorney’s poem gathers those ethereal, delicate threads.
Author Joel Harper pens a beautiful allegory about preparing those we love to deal with the adversities of life, and then letting go.
“From beneath the mattress of the top bunk we retrieve the gold tube of lipstick, found rolling like a lost toy on the rear floorboard of his car.”
“Yesterday my handsomest colleague drove me home from work. We had been held over at the office, and the late summer sun was setting orangely as we left. I waited with my back turned as he locked the front door, surprised that he had the key.”
Two poems on the possibilities of rebirth and motherhood.
“Nancy said the mortifying truth was what finally pierced her. That plus a poor-fitting pair of slacks I’d bought on Hollywood Boulevard from a touristy clothier who had shoe-polish ads in the window. I strode into his store against every pulsing neon omen, determined to believe he could make me look more substantial than L.A. Nancy asked if I wore the slacks to make girls swoon — like that, we were on my turf.”
“Dear Los Angeles: You are not perfect. But I love you. I’m, like, super-into-you.” A Valentine’s Day love letter to L.A. from our debut “love/hate” issue by comedian, author and Brooklyn transplant Sara Benincasa.