A look back at our packed salon with Annabelle Gurwitch, Heather Havrilesky, Susan Hayden, Jian Huang and Strawberry Saroyan at The Last Bookstore.
The premiere of the lyrics video for “I’m Not My Friend,” the first single off Ruby Friedman Orchestra’s powerful debut album, GEM, reveals haunting, true stories of those vulnerable to predators and a vigilante determined to seek justice outside the law. In the post-election glare, the revenge anthem takes on new meanings.
A new, post-election song by Peter Harper calls on the need for all to fight for freedom.
An excerpt from Deanne Stillman’s epic MUSTANG, with excerpts from the just-released audio version, narrated by Anjelica Huston, John Densmore, Frances Fisher, Wendie Malick and Richard Portnow.
Beck Black is the frontwoman for her disco-meets-punk-meets-glam-meets surf-meets Goth-meets-Blues-meets rock band at the forefront of the L.A. underground scene.
Los Angeles-based singer and guitarist Lynda Kay’s voice and songs are tethered to a familiar time that is imbued with emotion and style but connected to a place within us that tugs at the heartstrings of a challenging life.
Brad Rose shows us to the dark of night and dark of soul in the corners and outskirts of our city. His audio recordings of his readings lend a gritty, raw intimacy to his words.
L.A.-based writer and artist Andrea Lambert escorts us inside her edgy, sexy and personal oil and assemblage series.
Grant Palmer points his camera at L.A.’s communities of diversity and culture, and that keeps him on the fringes and edges of the city – all the places “that make life really, really interesting.”
Troubadour Tom Freund on his inspiration for “Angel Eyes,” an emotive song about the duality in the L.A. scene, and an ode to the angels, true friends who are always there.
L.A.-based singer/songwriter Avery Roberts shares the deeper meaning of the lyrics to “Wifi & I,” his infectious love song parody about our constant search for connection in a world Velcroed to our devices.
In Nicola Wood’s vivid oil paintings, L.A.’s ubiquitous cars are both real and magical.
Native Angeleno David Franco’s photographs capture the city’s changing landscape, soulful architecture, gritty beaches and darkness among sunny days.
Photographer Eric M Cwiertny’s images of facades and marquees in DTLA draw the viewer into their ornamental detail, character-filled history, and a yearning for what was and what could be.