“Not yet men and women and no longer boys and girls, they may have believed in fairy tales still but wouldn’t dare confess. That summer, after the black-bristled gypsy moth caterpillars hatched, Avalon’s youth surrendered the woods reluctantly. What more was there to fear?” A beautiful yet foreboding prelude excerpt from Julia Fierro’s heralded coming-of-age novel.
Julia Fierro on how her new novel, THE GYPSY MOTH SUMMER, is an “anti-revenge revenge story” and more.
“I said nothing while I watched life transform from several feet away. I wasn’t observing from above in a surgical theater, nor was I a terrified loved one on the other side of the solid door.” A deeply moving excerpt from Elizabeth L. Silver’s acclaimed, new memoir of medical uncertainty.
“I am still in awe of the wonders and magic of modern medicine, but I am now much more aware of its frailties.” Elizabeth L. Silver, author of THE TINCTURE OF TIME, in an emotive Q&A.
“My father loved thin women and thick steaks.” A poignant and funny excerpt from Annabelle Gurwitch’s brilliant new memoir on family, with her larger-than-life dad playing the lead.
“Use the literature of Los Angeles as a guide. Read about Acosta’s cockroach people, Babitz’s sex and rage, Banham’s ecologies, Beatty’s white boy shuffle, Boyle’s tortilla curtain, Braverman’s frantic transmissions, Bukowski’s post office, Butler’s speech sounds and Brinig’s flutter of an eyelid.”
Inside the dreamscape of the Hollywood sign, a love story unfolds, but as in all fairy tales, a villainess appears, and the stars begin to fall.
In GENEVIEVES, Henry Hoke proves himself a master illusionist, slipping us through veils of reality to meet an echo of who we might be in our deepest selves. An excerpt from the just-released book of surreal, gender-bending fiction and a Q&A with the author.
On the two-year anniversary of the death of Freddie Gray, after suffering police brutality, laments by Frederick Douglass and Harriet Tubman.
“The news wraps you in lists, trying to destroy the light of your name,
Waxing moon sliver of light—metaphor for black Baltimore boys?”
In THE EDUCATION OF MARGOT SANCHEZ, by Lilliam Rivera, a Puerto Rican-American family does everything it can to maintain a veneer of perfection for their teenage daughter, Margot. But when she’s caught stealing money, she winds up working in her father’s South Bronx grocery store, and that’s where her education truly begins. A riveting excerpt and Q&A with the author.
In CAKE TIME, Siel Ju’s protagonist has no illusions about family or perfection. She’s left that all behind long ago. A compelling excerpt and Q&A with AFLW Fiction Editor Shilpa Agarwal.
At Angels Flight • literary west, we love being in L.A., but in this excerpt from his memoir, GUN, NEEDLE, SPOON, Patrick O’Neil tells the story of a time when he had to get out.
“Then one day, out on the yard, a giant corn-fed thug, his skin covered in swastikas, sided up to me and handed me this book: ‘Yo, ya gotta read this, bro.’” A Q&A with AFLW’s creative non-fiction editor Seth Fischer and Patrick O’Neil, author of GUN, NEEDLE, SPOON, and also a teacher, filmmaker, former roadie, former junkie, former bank robber and current badass.
For the 20th anniversary of “Buffy the Vampire Slayer,” poems from a collection by Lisa Cheby, inspired by the cult-popular TV show, explore grief, power and love.
“Dare me to tell you how long I’ve dreamed of you
We’re a love story written in Sanskrit and Aramaic”
“On a map, California looks like she’s hugging the continent
and Nevada is leaning in for a deep kiss.
She is tentative, he is a sharp-tongued,
diamond-studded menace, kissing her
and at the same time, pushing her into the ocean.”
“we’re foolish to not recognize
what can happen when we open
our screen doors to a desperate world”
“His urge began in the mythic land of Florida,
where power surges from the steaming swamp.”
In L.A.’s dating scene, the rules don’t apply. An excerpt, playlists and Q&A with the authors of an alternative guide.
“we, in the eye of the storm,
are a love letter, a prayer
that is more assurance than ask.
‘We will be ok,’ we say, we sing, film it,
play it back over and over”
“Poetry … must be tactless, falling down stairs like a toddler,
slipping into ravines like a dancer on high alert,
forgetting the words but remembering the way. Poetry must be.”
What does Donald Trump’s inaugural dinner reveal? We’ve obtained the top-secret menu and offer it up as an additional excerpt from THE POLITICAL COOKBOOK: A Compendium of American Dishes. Spoiler Alert: Misogyny Soup will be served.
In her latest acclaimed novel, LITTLE NOTHING, Marisa Silver compels us to look, and look deeply, at how hatred distorts not only those we fear, but ourselves. An excerpt and conversation with HAUNTING BOMBAY author Shilpa Agarwal examining the meaning of “other” and more within and without this extraordinary work.
We have been honored to feature an array of tremendous titles from incredibly talented and diverse writers of fiction, non-fiction and poetry. Here are some of our favorites published in the year we now leave behind.
A poet’s reflection on fear, written on 11/9, after the dismaying results of the election.
Prose incantations written pre- and post-election by L.A. poet and author Rich Ferguson. All selections part of his collection in progress, “Everything Is Radiant Between the Hates.”
A holiday toast to fighting the good fight. Get a taste of THE POLITICAL COOKBOOK: A Compendium of American Dishes by humorist George R. Wolfe. First, we whet your appetite with satirical cocktails and hors d’oeuvres. Then, main dishes and desserts. Vive la Revolution!
Read an excerpt from “Wedding Bush Road,” a new novel by David Francis on the complexities of the journey “home,” and a Q&A with the author exploring the freeing power of distance and how the change of regime now challenges writers to “be more aware of the ‘political'” in their work.
An excerpt from the fiery, acclaimed debut novel by Jade Chang, “The Wangs Vs. the World,” and a frank Q&A with the author post-11/9.
“I grieve for Los Angeles
Left behind me.
I grieve for Obama’s America
Soon to be gone.”
“Can you imagine a Saddam-like statue outside the White House — a massive, gold-plated tuft of hair blotting out the view from the Jefferson Memorial — bearing the words ‘Donald J. Trump, Leader of the Free World?’ Don’t laugh. It could happen.”
In his poems, Sergio A. Ortiz explores a range of roiling emotions post-11/9: feelings of longing and regret, resentment stirring at the emerging depravity, and warnings about remaining silent. But there is also hope in resistance: “Listen to how frozen hurricanes emerge from the dew!”
A instant bestseller, LOS ANGELES IN THE 1970s, an anthology edited by David Kukoff, gives an insider’s look into the good, the bad and the ugly of L.A. in its heyday, with contributions from The Doors’ John Densmore, Matthew Specktor, Luis Rodriguez, Susan Hayden, Deanne Stillman, Dana Johnson, Jeremy Rosenberg and more.
A glimpse into the whimsical, weird and compelling debut collection of crafted and surreal stories by Meredith Alling.
Henry Hoke’s dazzling and daring new fiction challenges the concepts of memoir and dreamscape, reality and surrealism, literature and sexuality.
A glimpse into Dana Johnson’s acclaimed new collection of stories set in the heart of Los Angeles that explore love, class and race in intimate and daring ways.
“Some people will backpack or scale mountains to remember who they really are. Some dive to the blackest ocean depths or don boxing gloves or parachute into thin air. I found a different way.”
THE BITCH IS BACK: OLDER, WISER, AND (GETTING) HAPPIER editor Cathi Hanauer shares an in-depth overview of the BITCH series, insights into powerful essays by 25 prominent women writers, and the joy and method of her rigorous editing process.
An L.A. story in every sense of it, Gina Frangello’s latest, heralded novel also is a portrait of the modern family in America, examining assimilation, the legacy of secrets and the morality of desire, across ethnicities, nationalities and sexualities.
A window into Rich Ferguson’s visceral and poetic debut coming-of-age novel, NEW JERSEY ME, plus excerpts of the audiobook with music and a Q&A with the author about his inspirations and literary L.A.
Fifteen years later, we remember 9/11 with a poem written in 2001 in New York by L.A. journalist and musician Solvej Schou, reverberating with the grief, confusion and sadness she felt at the time of the tragedy.
Welcome to “Life’s Rich Pageant,” a month-long celebration of dazzling, provocative, whimsical, bold and resonating stories. Come on!
A selection of poems by Lisa Mecham deftly explores the haze of infidelity, deflections that bring us back to ourselves and the anguish of facing a partner’s mental illness.
Read a haunting excerpt from GRACE, the debut novel by Natashia Deón universally hailed as a new, essential slave novel, and a revealing Q&A with the author on how her work delving into our country’s dark past relates to Black Lives Matter, sex and love.
In a pulsing excerpt and personal Q&A, John Doe, from X, recreates an unforgettable night at the Whisky a Go Go and reflects on his journey from the early days of punk L.A.
A searing series of narrative prose poems by Ashaki M. Jackson offer observations from her childhood and document the painful commonness of devaluing Black lives.
An excerpt from Deanne Stillman’s epic MUSTANG, with excerpts from the just-released audio version, narrated by Anjelica Huston, John Densmore, Frances Fisher, Wendie Malick and Richard Portnow.
“Early one mornin’ the sun was shinin’ /
I was layin’ in bed /
Wonderin’ if she’d changed at all /
If her hair was still red.”
A first-look excerpt from Chris Morris’ candid memoir, “Together Through Life: A Personal Journey with the Music of Bob Dylan,” published on Dylan’s 75th birthday.
“Southern California was the perfect place for show business to sink its shallow roots in the era of silent film. Of course, at the time they weren’t actually known as ‘silent films,’ since there was no other kind of film. They were instead called ‘no-talkies.’”
After a traumatic adolescence and seeking shelter in a “safe” life that no longer fit, writer Bernadette Murphy found her way back to her true self through risk taking. In a riveting excerpt and Q&A, she describes crossing paths with her childhood idol character, The Fonz, in a surprising way.