“Not yet men and women and no longer boys and girls, they may have believed in fairy tales still but wouldn’t dare confess. That summer, after the black-bristled gypsy moth caterpillars hatched, Avalon’s youth surrendered the woods reluctantly. What more was there to fear?” A beautiful yet foreboding prelude excerpt from Julia Fierro’s heralded coming-of-age novel.
“I said nothing while I watched life transform from several feet away. I wasn’t observing from above in a surgical theater, nor was I a terrified loved one on the other side of the solid door.” A deeply moving excerpt from Elizabeth L. Silver’s acclaimed, new memoir of medical uncertainty.
“My father loved thin women and thick steaks.” A poignant and funny excerpt from Annabelle Gurwitch’s brilliant new memoir on family, with her larger-than-life dad playing the lead.
In GENEVIEVES, Henry Hoke proves himself a master illusionist, slipping us through veils of reality to meet an echo of who we might be in our deepest selves. An excerpt from the just-released book of surreal, gender-bending fiction and a Q&A with the author.
In THE EDUCATION OF MARGOT SANCHEZ, by Lilliam Rivera, a Puerto Rican-American family does everything it can to maintain a veneer of perfection for their teenage daughter, Margot. But when she’s caught stealing money, she winds up working in her father’s South Bronx grocery store, and that’s where her education truly begins. A riveting excerpt and Q&A with the author.
In CAKE TIME, Siel Ju’s protagonist has no illusions about family or perfection. She’s left that all behind long ago. A compelling excerpt and Q&A with AFLW Fiction Editor Shilpa Agarwal.
At Angels Flight • literary west, we love being in L.A., but in this excerpt from his memoir, GUN, NEEDLE, SPOON, Patrick O’Neil tells the story of a time when he had to get out.
“Then one day, out on the yard, a giant corn-fed thug, his skin covered in swastikas, sided up to me and handed me this book: ‘Yo, ya gotta read this, bro.’” A Q&A with AFLW’s creative non-fiction editor Seth Fischer and Patrick O’Neil, author of GUN, NEEDLE, SPOON, and also a teacher, filmmaker, former roadie, former junkie, former bank robber and current badass.
In L.A.’s dating scene, the rules don’t apply. An excerpt, playlists and Q&A with the authors of an alternative guide.
In her latest acclaimed novel, LITTLE NOTHING, Marisa Silver compels us to look, and look deeply, at how hatred distorts not only those we fear, but ourselves. An excerpt and conversation with HAUNTING BOMBAY author Shilpa Agarwal examining the meaning of “other” and more within and without this extraordinary work.
We have been honored to feature an array of tremendous titles from incredibly talented and diverse writers of fiction, non-fiction and poetry. Here are some of our favorites published in the year we now leave behind.
Prose incantations written pre- and post-election by L.A. poet and author Rich Ferguson. All selections part of his collection in progress, “Everything Is Radiant Between the Hates.”
Read an excerpt from “Wedding Bush Road,” a new novel by David Francis on the complexities of the journey “home,” and a Q&A with the author exploring the freeing power of distance and how the change of regime now challenges writers to “be more aware of the ‘political'” in their work.
An excerpt from the fiery, acclaimed debut novel by Jade Chang, “The Wangs Vs. the World,” and a frank Q&A with the author post-11/9.
A instant bestseller, LOS ANGELES IN THE 1970s, an anthology edited by David Kukoff, gives an insider’s look into the good, the bad and the ugly of L.A. in its heyday, with contributions from The Doors’ John Densmore, Matthew Specktor, Luis Rodriguez, Susan Hayden, Deanne Stillman, Dana Johnson, Jeremy Rosenberg and more.
A glimpse into the whimsical, weird and compelling debut collection of crafted and surreal stories by Meredith Alling.
Henry Hoke’s dazzling and daring new fiction challenges the concepts of memoir and dreamscape, reality and surrealism, literature and sexuality.
A glimpse into Dana Johnson’s acclaimed new collection of stories set in the heart of Los Angeles that explore love, class and race in intimate and daring ways.
“Some people will backpack or scale mountains to remember who they really are. Some dive to the blackest ocean depths or don boxing gloves or parachute into thin air. I found a different way.”
THE BITCH IS BACK: OLDER, WISER, AND (GETTING) HAPPIER editor Cathi Hanauer shares an in-depth overview of the BITCH series, insights into powerful essays by 25 prominent women writers, and the joy and method of her rigorous editing process.
An L.A. story in every sense of it, Gina Frangello’s latest, heralded novel also is a portrait of the modern family in America, examining assimilation, the legacy of secrets and the morality of desire, across ethnicities, nationalities and sexualities.
A window into Rich Ferguson’s visceral and poetic debut coming-of-age novel, NEW JERSEY ME, plus excerpts of the audiobook with music and a Q&A with the author about his inspirations and literary L.A.
Read a haunting excerpt from GRACE, the debut novel by Natashia Deón universally hailed as a new, essential slave novel, and a revealing Q&A with the author on how her work delving into our country’s dark past relates to Black Lives Matter, sex and love.
In a pulsing excerpt and personal Q&A, John Doe, from X, recreates an unforgettable night at the Whisky a Go Go and reflects on his journey from the early days of punk L.A.
An excerpt from Deanne Stillman’s epic MUSTANG, with excerpts from the just-released audio version, narrated by Anjelica Huston, John Densmore, Frances Fisher, Wendie Malick and Richard Portnow.
“Early one mornin’ the sun was shinin’ /
I was layin’ in bed /
Wonderin’ if she’d changed at all /
If her hair was still red.”
A first-look excerpt from Chris Morris’ candid memoir, “Together Through Life: A Personal Journey with the Music of Bob Dylan,” published on Dylan’s 75th birthday.
“Southern California was the perfect place for show business to sink its shallow roots in the era of silent film. Of course, at the time they weren’t actually known as ‘silent films,’ since there was no other kind of film. They were instead called ‘no-talkies.’”
After a traumatic adolescence and seeking shelter in a “safe” life that no longer fit, writer Bernadette Murphy found her way back to her true self through risk taking. In a riveting excerpt and Q&A, she describes crossing paths with her childhood idol character, The Fonz, in a surprising way.
Robin Rinaldi’s crafted, riveting and honest memoir, recently released in paperback, follows her self-ascribed, year-long open marriage project she felt compelled to undertake at the apex of midlife. The experience profoundly changed her, as a woman, writer and wife.
In his acclaimed debut novel just released in paperback, author Christopher Noxon depicts the flawed transition for an ad exec-turned-househusband to a Hollywood powerhouse wife, and the machinations of the L.A. lifestyle.
Three intense, crafted poems, on love for men and words, from C. Russell Price’s acclaimed new debut, TONIGHT, WE FUCK THE TRAILER PARK OUT OF EACH OTHER.
L.A. noir-inspired drama hits Miami streets in Alex Segura’s mystery series. A peek into the world of a down-and-out journalist turned accidental PI, and a Q&A with the author, ARCHIE MEETS RAMONES comics creator by day, crime writer by night.
In his brazen debut novel, Matthew Binder evokes the romance and revulsion of the image of the debaucherous, celebrated author, grasping to make life work off page.
“‘Stanzi. You should know who you are,’ he said.
I shook my head, though he was right. But who was I? I held out my hands and pleaded with my eyes.”
Author Wendy C. Ortiz gives a visceral exploration of love, loss and transformation in the hills and streets of L.A. in an excerpt of “Hollywood Notebook,” a memoir of her 20s and 30s coming-of-age in Los Angeles.
A fast-moving excerpt from Shanna Mahin’s acclaimed debut novel, tracing the ups and downs of Jess, third-generation Hollywood trouble.
“Hiram ‘Doc’ Hollywood had come to California from the Topeka World’s Fair of ’88 to build a dream factory that would bear his name. But dreams were a rough business. In his years of efforts he could never figure out the formula to get the dreams into the heads of the sleeping people (something his protege Leonardo ‘Leo’ DiCaprio would one day do), and when the dream market took a beating in the Panic of ’96, Doc Hollywood switched to movies.”