When the Electoral College cast its vote, our collective loss on 11/9 resonated doubly. How do we continue to hope when hope seems lost and far off?
Read an excerpt from “Wedding Bush Road,” a new novel by David Francis on the complexities of the journey “home,” and a Q&A with the author exploring the freeing power of distance and how the change of regime now challenges writers to “be more aware of the ‘political'” in their work.
“I hadn’t noticed the accumulation of paper cuts until now. All those moments when I gave a man something he wanted. I carry around these memories like a jar of stones that dream of shattering windows.”
An excerpt from the fiery, acclaimed debut novel by Jade Chang, “The Wangs Vs. the World,” and a frank Q&A with the author post-11/9.
“I wish I could make the piñata’s vibrant colors fade to pale nothingness, but I still see that mouth. It haunts me like a giant black hole, hungry to suck the entire universe into its grim, empty abyss.”
“I grieve for Los Angeles
Left behind me.
I grieve for Obama’s America
Soon to be gone.”
“Can you imagine a Saddam-like statue outside the White House — a massive, gold-plated tuft of hair blotting out the view from the Jefferson Memorial — bearing the words ‘Donald J. Trump, Leader of the Free World?’ Don’t laugh. It could happen.”
In his poems, Sergio A. Ortiz explores a range of roiling emotions post-11/9: feelings of longing and regret, resentment stirring at the emerging depravity, and warnings about remaining silent. But there is also hope in resistance: “Listen to how frozen hurricanes emerge from the dew!”
“I am Her. Every woman is, whether she knows it or not. And the tears keep falling.”
The premiere of the lyrics video for “I’m Not My Friend,” the first single off Ruby Friedman Orchestra’s powerful debut album, GEM, reveals haunting, true stories of those vulnerable to predators and a vigilante determined to seek justice outside the law. In the post-election glare, the revenge anthem takes on new meanings.
A poignant letter and apology from a journalist and writer to his daughter in this tenuous and frightening time mounting in our country, a promise to do all he can and a message for her: Resist.
A new, post-election song by Peter Harper calls on the need for all to fight for freedom.
A pledge we make. “Hope is no superficial undertaking, but demands absolute allegiance even in apocalyptic times.”
A instant bestseller, LOS ANGELES IN THE 1970s, an anthology edited by David Kukoff, gives an insider’s look into the good, the bad and the ugly of L.A. in its heyday, with contributions from The Doors’ John Densmore, Matthew Specktor, Luis Rodriguez, Susan Hayden, Deanne Stillman, Dana Johnson, Jeremy Rosenberg and more.
A glimpse into the whimsical, weird and compelling debut collection of crafted and surreal stories by Meredith Alling.
Henry Hoke’s dazzling and daring new fiction challenges the concepts of memoir and dreamscape, reality and surrealism, literature and sexuality.
The debut of the Angels Flight • literary west Salon Series at Clifton’s illuminated the need to come together in community and resistance, in celebration, still, in this darkness. Together, we write, we read, we talk, we touch, we create change, we hope. Together. We do.
A glimpse into Dana Johnson’s acclaimed new collection of stories set in the heart of Los Angeles that explore love, class and race in intimate and daring ways.
“Some people will backpack or scale mountains to remember who they really are. Some dive to the blackest ocean depths or don boxing gloves or parachute into thin air. I found a different way.”
THE BITCH IS BACK: OLDER, WISER, AND (GETTING) HAPPIER editor Cathi Hanauer shares an in-depth overview of the BITCH series, insights into powerful essays by 25 prominent women writers, and the joy and method of her rigorous editing process.
An L.A. story in every sense of it, Gina Frangello’s latest, heralded novel also is a portrait of the modern family in America, examining assimilation, the legacy of secrets and the morality of desire, across ethnicities, nationalities and sexualities.
A window into Rich Ferguson’s visceral and poetic debut coming-of-age novel, NEW JERSEY ME, plus excerpts of the audiobook with music and a Q&A with the author about his inspirations and literary L.A.
Fifteen years later, we remember 9/11 with a poem written in 2001 in New York by L.A. journalist and musician Solvej Schou, reverberating with the grief, confusion and sadness she felt at the time of the tragedy.
Welcome to “Life’s Rich Pageant,” a month-long celebration of dazzling, provocative, whimsical, bold and resonating stories. Come on!
WE WERE THRILLED by the HUGE response to our launch party and reading at The Last Bookstore. VIEW photos and WATCH videos of the event and readings and more here!
A selection of poems by Lisa Mecham deftly explores the haze of infidelity, deflections that bring us back to ourselves and the anguish of facing a partner’s mental illness.
Read a haunting excerpt from GRACE, the debut novel by Natashia Deón universally hailed as a new, essential slave novel, and a revealing Q&A with the author on how her work delving into our country’s dark past relates to Black Lives Matter, sex and love.
In a pulsing excerpt and personal Q&A, John Doe, from X, recreates an unforgettable night at the Whisky a Go Go and reflects on his journey from the early days of punk L.A.
A searing series of narrative prose poems by Ashaki M. Jackson offer observations from her childhood and document the painful commonness of devaluing Black lives.
An excerpt from Deanne Stillman’s epic MUSTANG, with excerpts from the just-released audio version, narrated by Anjelica Huston, John Densmore, Frances Fisher, Wendie Malick and Richard Portnow.
“Early one mornin’ the sun was shinin’ /
I was layin’ in bed /
Wonderin’ if she’d changed at all /
If her hair was still red.”
A first-look excerpt from Chris Morris’ candid memoir, “Together Through Life: A Personal Journey with the Music of Bob Dylan,” published on Dylan’s 75th birthday.
“Southern California was the perfect place for show business to sink its shallow roots in the era of silent film. Of course, at the time they weren’t actually known as ‘silent films,’ since there was no other kind of film. They were instead called ‘no-talkies.’”
After a traumatic adolescence and seeking shelter in a “safe” life that no longer fit, writer Bernadette Murphy found her way back to her true self through risk taking. In a riveting excerpt and Q&A, she describes crossing paths with her childhood idol character, The Fonz, in a surprising way.
“I never told you that I saw you kissing her, that I watched you do it without hesitation, inching closer to her instead of backing away. I watched long enough to see her curl her fist under her chin to get more comfortable, the gesture natural and familiar, as if she had done it before.”
The temptations against staying clean start the moment Dean gets a ride out of rehab.
The art of Los Angeles isn’t just in our museums, it’s in our murals, our family’s artifacts and where we take cover, as Xochitl-Julisa Bermejo reveals.
Lauren Eggert-Crowe disarms us, brings us closer, unveiling heartbreak and beauty.
Robin Rinaldi’s crafted, riveting and honest memoir, recently released in paperback, follows her self-ascribed, year-long open marriage project she felt compelled to undertake at the apex of midlife. The experience profoundly changed her, as a woman, writer and wife.
In his acclaimed debut novel just released in paperback, author Christopher Noxon depicts the flawed transition for an ad exec-turned-househusband to a Hollywood powerhouse wife, and the machinations of the L.A. lifestyle.
“I was 8 when my mom, brother and I rode the maiden voyage of the California Zephyr Dome-line train from our hometown in San Francisco to Los Angeles to start our new life. During the following years, I’d go to bed conjuring the youthful hope of that train ride so that my dreams could make it so.”
“I wept and screamed until finally I saw the path opened wide before me — freed from the attachment that had caused me suffering. I didn’t need a baby to be happy.”
Marina Muhlfriedel invites us to shed the past, if just a moment.
The voices in Nikki San Pedro’s poems search for soothing in the chaos of L.A.
Three intense, crafted poems, on love for men and words, from C. Russell Price’s acclaimed new debut, TONIGHT, WE FUCK THE TRAILER PARK OUT OF EACH OTHER.
Ridesharing may be an oversaturated market, but as Jonathan Tipton Meyers discovers, drivers and passengers are yearning for the same thing on the streets of Los Angeles: real, human connection.
When writer Matt Powell came back to L.A., he embarked on a noble, dying Angeleno tradition: the backbreaking, exhilarating thrill of driving and resuscitating a classic car. There was one problem — he didn’t know shit about cars.
“We prostitutes were all pretty women. We all had metaphorical thick curls of red hair — a head full of beautiful flourishes — and confidently unconfident smiles.”
“Indie — as in work for free?” I asked, but I didn’t wait for her answer. “You’re going to have to pay your own way back to L.A.”
Beck Black is the frontwoman for her disco-meets-punk-meets-glam-meets surf-meets Goth-meets-Blues-meets rock band at the forefront of the L.A. underground scene.
Los Angeles-based singer and guitarist Lynda Kay’s voice and songs are tethered to a familiar time that is imbued with emotion and style but connected to a place within us that tugs at the heartstrings of a challenging life.